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	<title>Design Influence &#187; Practice</title>
	<atom:link href="http://designinfluence.org/category/practice/feed/" rel="self" type="application/rss+xml" />
	<link>http://designinfluence.org</link>
	<description>Design-related strategies &#38; observations</description>
	<lastBuildDate>Thu, 03 May 2012 15:50:36 +0000</lastBuildDate>
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		<title>Thanks but, no thanks</title>
		<link>http://designinfluence.org/thanks-but-no-thanks/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=thanks-but-no-thanks</link>
		<comments>http://designinfluence.org/thanks-but-no-thanks/#comments</comments>
		<pubDate>Thu, 03 May 2012 15:50:36 +0000</pubDate>
		<dc:creator>Isabelle</dc:creator>
				<category><![CDATA[Event]]></category>
		<category><![CDATA[Practice]]></category>

		<guid isPermaLink="false">http://designinfluence.org/?p=3494</guid>
		<description><![CDATA[Many clients don&#8217;t suspect how much work produced by designers never makes it into the final presentation. We constantly gauge [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://designinfluence.org/wp-content/uploads/2012/05/julia_1_01.jpg"><img src="http://designinfluence.org/wp-content/uploads/2012/05/julia_1_01.jpg" alt="" title="julia_1_0" width="400" height="566" class="alignleft size-full wp-image-3500" /></a></p>
<p><a href="http://designinfluence.org/wp-content/uploads/2012/05/ken_garland_1.jpg"><img src="http://designinfluence.org/wp-content/uploads/2012/05/ken_garland_1.jpg" alt="ken_garland" title="ken_garland_1" width="349" height="750" class="alignleft size-full wp-image-3496" /></a></p>
<p>Many clients don&#8217;t suspect how much work produced by designers never makes it into the final presentation. We constantly gauge and reject some of our creations, for various reasons. In turn, as we usually present multiple options and often opt to include solutions that may push the client into unknown creative territory, more work falls by the wayside never to be seen again outside the studio. Until now.</p>
<p>London&#8217;s <a href="http://beachlondon.co.uk/" target="_blank">Beach Gallery</a> is hosting an exhibition titled <a href="http://www.thanksbut.com/" target="_blank">Thanks but, no thanks</a> which features rejected and unwanted work from many well-known designers. Proceeds from sales of the work to benefit the Battersea Dogs Home. An inspiring reason to keep your rejects.</p>
<p>The exhibition runs until 6 May.</p>
<p>&#8212;<br />
<i>Images<br />
Poster series for a play by Julia for a play by Stefan Golaszewski<br />
Logo for Camden Arts Centre by Ken Garland, rejected by client</p>
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		<item>
		<title>Sunshine</title>
		<link>http://designinfluence.org/sunshine/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sunshine</link>
		<comments>http://designinfluence.org/sunshine/#comments</comments>
		<pubDate>Tue, 27 Mar 2012 16:11:58 +0000</pubDate>
		<dc:creator>Isabelle</dc:creator>
				<category><![CDATA[Perspective]]></category>
		<category><![CDATA[Practice]]></category>

		<guid isPermaLink="false">http://designinfluence.org/?p=3470</guid>
		<description><![CDATA[An American advertising producer in Shanghai tries to sell fast food to the Chinese. An endearing portrait of a modern [...]]]></description>
			<content:encoded><![CDATA[<p>An American advertising producer in Shanghai tries to sell fast food to the Chinese. An endearing portrait of a modern day &#8220;Mad Man.&#8221;<br />
- &#8211; -<br />
<i>Directed, Photographed &#038; Edited by Doug Nichol<br />
Music by Richard Hair</i></p>
<p><iframe src="http://player.vimeo.com/video/38759453?title=0&amp;byline=0&amp;portrait=0" width="400" height="225" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
<p><a href="http://vimeo.com/38759453">Sunshine</a> from <a href="http://vimeo.com/americanbuffalo">American Buffalo</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
]]></content:encoded>
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		<item>
		<title>Fear and Making Things Happen</title>
		<link>http://designinfluence.org/fear-and-making-things-happen/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=fear-and-making-things-happen</link>
		<comments>http://designinfluence.org/fear-and-making-things-happen/#comments</comments>
		<pubDate>Wed, 07 Mar 2012 16:41:02 +0000</pubDate>
		<dc:creator>Isabelle</dc:creator>
				<category><![CDATA[Perspective]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[99% conference]]></category>
		<category><![CDATA[Starlee Kine]]></category>

		<guid isPermaLink="false">http://designinfluence.org/?p=3447</guid>
		<description><![CDATA[I had the good fortune of hearing this talk live in New York last May. This American Life contributor and [...]]]></description>
			<content:encoded><![CDATA[<p>I had the good fortune of hearing this talk live in New York last May. </p>
<p><i>This American Life</i> contributor and producer Starlee Kine found a unique way of expressing what it means to keep going, no matter what. As many creatives know, that is the key to success: moving forward when you&#8217;re stuck, taking the first step without knowing with absolute certainty where you&#8217;re headed, putting in a few more hours to make sure it&#8217;s as resolved as it can be. Magic.</p>
<p><iframe src="http://player.vimeo.com/video/27635756" width="400" height="429" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
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		<item>
		<title>New Design Museum</title>
		<link>http://designinfluence.org/new-design-museum/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=new-design-museum</link>
		<comments>http://designinfluence.org/new-design-museum/#comments</comments>
		<pubDate>Fri, 17 Feb 2012 22:13:45 +0000</pubDate>
		<dc:creator>Isabelle</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[Design Museum]]></category>
		<category><![CDATA[London]]></category>

		<guid isPermaLink="false">http://designinfluence.org/?p=3426</guid>
		<description><![CDATA[I&#8217;m thrilled to hear that London&#8217;s Design Museum will soon move to the old Commonwealth Institute building off Kensington High [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m thrilled to hear that London&#8217;s Design Museum will soon move to the old Commonwealth Institute building off Kensington High Street. The more accessible and central location (and its proximity to the Royal College of Art) will no doubt contribute to a significant increase in visitors. The larger building will also facilitate the display of the museum&#8217;s permanent collection, ushering it into a new era as a major space rather than one that caters to a niche audience.</p>
<p><iframe src="http://player.vimeo.com/video/35564242?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff" width="400" height="225" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
<p><a href="http://vimeo.com/35564242">The New Design Museum</a> from <a href="http://vimeo.com/designmuseum">Design Museum</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p>The Commonwealth Institute building is set to be adapted to its new purpose by <a href="http://www.johnpawson.com/" target="_blank">John Pawson.</a> “We are on the brink of something extraordinary,” says museum director Deyan Sudjic. “John Pawson has the ability to very quietly give the building a new life and a new dignity in a subtle but powerful way.”</p>
<p>The new site is set to open in 2014.</p>
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		<item>
		<title>Focus Forward</title>
		<link>http://designinfluence.org/focus-forward/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=focus-forward</link>
		<comments>http://designinfluence.org/focus-forward/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 14:06:20 +0000</pubDate>
		<dc:creator>Isabelle</dc:creator>
				<category><![CDATA[Perspective]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[focus forward]]></category>

		<guid isPermaLink="false">http://designinfluence.org/?p=3395</guid>
		<description><![CDATA[Three minutes to tell a story about innovation and progress. That is Focus Forward, a filmmaker&#8217;s challenge showcasing 30 shorts [...]]]></description>
			<content:encoded><![CDATA[<p>Three minutes to tell a story about innovation and progress. That is <a href="http://FOCUSFORWARDFILMS.COM/ " target="_blank">Focus Forward,</a> a filmmaker&#8217;s challenge showcasing 30 shorts directed by celebrated documentary directors. You can see the three first films on <a href="http://vimeo.com/groups/123054/films" target="_blank">Vimeo</a> as well.</p>
<p><iframe src="http://player.vimeo.com/video/34383834?title=0&amp;byline=0&amp;portrait=0" width="400" height="300" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
<p><a href="http://vimeo.com/34383834">Focus Forward &#8211; Short Films, Big Ideas Trailer</a> from <a href="http://vimeo.com/focusf">Focus Forward Films</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
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		<item>
		<title>Beauty is Embarrassing</title>
		<link>http://designinfluence.org/beauty-is-embarrassing/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=beauty-is-embarrassing</link>
		<comments>http://designinfluence.org/beauty-is-embarrassing/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 18:11:32 +0000</pubDate>
		<dc:creator>Isabelle</dc:creator>
				<category><![CDATA[Perspective]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Wayne White]]></category>

		<guid isPermaLink="false">http://designinfluence.org/?p=3385</guid>
		<description><![CDATA[The crazy beauty of Wayne White&#8217;s world.]]></description>
			<content:encoded><![CDATA[<p>The crazy beauty of Wayne White&#8217;s world.</p>
<p><iframe width="400" height="315" src="http://www.youtube.com/embed/sIv4PHJqCnM" frameborder="0" allowfullscreen></iframe></p>
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		<item>
		<title>The Age of Data</title>
		<link>http://designinfluence.org/the-age-of-data/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-age-of-data</link>
		<comments>http://designinfluence.org/the-age-of-data/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 00:23:22 +0000</pubDate>
		<dc:creator>Isabelle</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Practice]]></category>

		<guid isPermaLink="false">http://designinfluence.org/?p=3361</guid>
		<description><![CDATA[Standford University has an amazing track-record in the initiation and development of projects that deal with data visualization. Geoff McGhee, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://designinfluence.org/wp-content/uploads/2012/01/Data3.gif"><img src="http://designinfluence.org/wp-content/uploads/2012/01/Data3.gif" alt="" title="Data3" width="400" height="262" class="alignleft size-full wp-image-3368" /></a><br />
<a href="http://designinfluence.org/wp-content/uploads/2012/01/DATA5.jpg"><img src="http://designinfluence.org/wp-content/uploads/2012/01/DATA5.jpg" alt="" title="DATA5" width="400" height="262" class="alignleft size-full wp-image-3371" /></a><br />
<a href="http://designinfluence.org/wp-content/uploads/2012/01/data5.gif"><img src="http://designinfluence.org/wp-content/uploads/2012/01/data5.gif" alt="" title="data5" width="400" height="262" class="alignleft size-full wp-image-3370" /></a></p>
<p><a href="http://www.stanford.edu/" target="_blank">Standford University</a> has an amazing track-record in the initiation and development of projects that deal with data visualization. Geoff McGhee, an online journalist specializing in multimedia and info-graphics produced a <a href="http://datajournalism.stanford.edu/" target="blank">compelling documentary</a> on current research and practices in the art of visualization and its place in the age of data.</p>
<p>An annual awards and opportunity for cross-pollination is the <a href="http://snd-e.com/en/malofiej/cumbre" target="_blank"> Society of News Design Malofiej 19 Summit.</a> Participants have observed that the rise in technologies allowing us to create visualization has led to an increase in stunning but otherwise vacuous graphics. The beauty factor remains compelling however as the annual <a href="http://feltron.com/" target="_blank">Feltron Report</a> demonstrates.</p>
<p>&#8220;We&#8217;re just in a phase where we haven&#8217;t quite figured out how to put this out to average reader. (. . .) It&#8217;s become like a cult trend. Some of the people doing it are like rock star&#8221;—John Grimwade of Condé Nast, observes.</p>
<p><a href="http://designinfluence.org/wp-content/uploads/2012/01/Data1.jpg"><img src="http://designinfluence.org/wp-content/uploads/2012/01/Data1.jpg" alt="" title="Data1" width="400" height="344" class="alignleft size-full wp-image-3366" /></a><a href="http://designinfluence.org/wp-content/uploads/2012/01/Data2.jpg"><img src="http://designinfluence.org/wp-content/uploads/2012/01/Data2.jpg" alt="" title="Data2" width="400" height="307" class="alignleft size-full wp-image-3367" /></a></p>
<p>This same technological development however is providing greater opportunity for interactivity and use of live data so results can in fact reflect trends in meaningful ways. <a href="http://www-958.ibm.com/software/data/cognos/manyeyes/page/About.html" target="_blank">Many Eyes</a>, an IBM initiative, offers examples of visualizations but also tools to create your own. Its creators believe that—not unlike typography which is now accessible to anyone with a computer—data visualization will improve greatly the more people experiment with it.</p>
<p>&#8220;This idea of enabling discovery, look at the data and discover things in it that you wouldn&#8217;t have necessary have thought to look for is an important part of what we&#8217;re thinking about.&#8221;— Eric Rodenbeck, Stamen Design</p>
<p>With successful visualization comes unexpected questions, explorations into cause and a requirement for complete data and unlimited access. Stamen Design cites a telling example where, asked by the City of San Francisco to produce a crime stats visualization, the designers discovered that numbers they were provided were lacking those relating to prostitution, alcohol-related crimes and homicides.</p>
<p>&#8220;Visualization can promote openness by the fact of it existing. (&#8230;) [it] can serve two roles: one is the explicit role of letting us see stuff coming, the other is this sort of funny passive-aggressive role that you find yourself pushed into a mode of wanting to make data open.&#8221;—Martin Wattenberg, IBM Research</p>
<p>- &#8211; -<br />
All images from <a href="http://datajournalism.stanford.edu/" target="_blank">Journalism in the Age of Data</a></p>
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		<item>
		<title>Tipos Latinos 2012</title>
		<link>http://designinfluence.org/tipos-latinos-2012/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tipos-latinos-2012</link>
		<comments>http://designinfluence.org/tipos-latinos-2012/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 17:30:06 +0000</pubDate>
		<dc:creator>Isabelle</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Event]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[latin america]]></category>
		<category><![CDATA[Tipos latinos]]></category>
		<category><![CDATA[type design]]></category>

		<guid isPermaLink="false">http://designinfluence.org/?p=3338</guid>
		<description><![CDATA[Tipos latinos is an international network initiative focused on fostering and developing typography in Latin America. it currently has committees [...]]]></description>
			<content:encoded><![CDATA[<p><i>Tipos latinos is an international network initiative focused on fostering and developing typography in Latin America. it currently has committees and delegates based in 13 countries—Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Guatemala, Mexico, Paraguay, Peru, Uruguay and Venezuela—where the biennial exhibition is held simultaneously. Established in 2004—under the name Letras latinas—the Tipos latinos biennial of Latin-American typography also comprises an extensive program of lectures, workshops and guided tours, promoting communication design, typography and cultural exchange among Latin-American professionals.</i></p>
<p><a href="http://designinfluence.org/wp-content/uploads/2012/01/Tipos11.jpg"><img src="http://designinfluence.org/wp-content/uploads/2012/01/Tipos11.jpg" alt="" title="Tipos1" width="400" height="264" class="alignleft size-full wp-image-3345" /></a><br />
<i>Enriqueta Book / V. Monsalve y G. J. Ibarra (C/AR)<br />
Latinité Roman / Carlos Zinno (AR)</i></p>
<p><a href="http://designinfluence.org/wp-content/uploads/2012/01/tipo2.jpg"><img src="http://designinfluence.org/wp-content/uploads/2012/01/tipo2.jpg" alt="" title="tipo2" width="400" height="264" class="alignleft size-full wp-image-3346" /></a><br />
<i>Sancho Regular / Miguel Reyes Cabrera (MX)<br />
Petra / Fernando de Moraes Caro (BR)</i></p>
<p>The call for entries for the fifth biennial is now open. Whilst the typefaces design category can only include designers of latin-american origin, the design categories covering latin-american type uses is open to all nationalities. Deadline is 23 February 2012 for works produced between April 2010 and February 2012. More info on the <a href="www.tiposlatinos.com" target="_blank">site.</a></p>
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		<title>Elderly Animals</title>
		<link>http://designinfluence.org/elderly-animals/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=elderly-animals</link>
		<comments>http://designinfluence.org/elderly-animals/#comments</comments>
		<pubDate>Sat, 14 Jan 2012 02:10:37 +0000</pubDate>
		<dc:creator>Isabelle</dc:creator>
				<category><![CDATA[Perspective]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[Isa Leshko]]></category>
		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://designinfluence.org/?p=3317</guid>
		<description><![CDATA[Amazing work by Isa Leshko for her Elderly Animals series. I am traveling to sanctuaries across the country to photograph [...]]]></description>
			<content:encoded><![CDATA[<p>Amazing work by Isa Leshko for her <a href="http://isaleshko.com/elderly-animals/" target="_blank">Elderly Animals series.</a></p>
<p><i>I am traveling to sanctuaries across the country to photograph animals that are elderly or at the end stage of their lives. I began this series shortly after I had spent a year in New Jersey helping my sister care for my mother who has Alzheimer’s disease. When my mother got ill, I made a conscious decision to not photograph her. However, caring for her had a profound impact on me and I knew the experience would influence my photography. Shortly after I had returned from New Jersey, I encountered a blind elderly horse that was living on a relative’s property. I was mesmerized by this animal and spent the afternoon photographing him. After reviewing my film, I realized I had found a project that would enable me to sift through my feelings around my mother’s illness.</i></p>
<p><iframe src="http://player.vimeo.com/video/29632448" width="400" height="225" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
<p><a href="http://vimeo.com/29632448">Elderly Animals: Photographs by Isa Leshko</a> from <a href="http://vimeo.com/markangelawalley">Mark &amp; Angela Walley</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
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		<item>
		<title>The Little Know-It-All</title>
		<link>http://designinfluence.org/the-little-know-it-all/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-little-know-it-all</link>
		<comments>http://designinfluence.org/the-little-know-it-all/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 17:29:26 +0000</pubDate>
		<dc:creator>Isabelle</dc:creator>
				<category><![CDATA[Practice]]></category>
		<category><![CDATA[Reading]]></category>

		<guid isPermaLink="false">http://designinfluence.org/?p=3301</guid>
		<description><![CDATA[The Little Know-It-All provides the fundamental information designers need to know to thrive in their growing field of practice. This [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://designinfluence.org/wp-content/uploads/2012/01/knowitall.gif" alt="" title="knowitall" width="400" height="544" class="alignleft size-full wp-image-3306" /></a></p>
<p><a href="https://shop.gestalten.com/index.php/catalog/product/view/id/4228" target="_blank">The Little Know-It-All</a> <i>provides the fundamental information designers need to know to thrive in their growing field of practice. This updated edition is an indispensable manual of the knowledge currently required of designers as the evolution of media redefines their role and expands the disciplines in which they must be competent.</i></p>
<p>I was interested to see that a 7-chapter long book could cover the basics of design practice. Admittedly, I like the title. If you need to brush up on colour theory, printing methods, type basics or digital media, the fundamentals are here.<a href="http://designinfluence.org/wp-content/uploads/2012/01/knowitall.gif"></p>
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